The Technique I Use for Sensing Energy

by Mike Sententia on June 6, 2016

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Most of my work builds on one technique: Sensory connections. That’s what I use to observe the biofield, energy, ethereal structures, and everything else I work with. Today I’m going to discuss how they work, how I developed them, and the first few steps of learning the technique yourself.

Here’s the basics: Energy seems to follow connections, and energy workers often send energy along a connection. With sensory connections, we make a connection (to a person’s knee, for example) and absorb a tiny amount of their knee’s energy to measure it. It’s like how a thermometer absorbs a tiny amount of heat to measure temperature. In practice, I’ll use a whole network of connections, sensing the biofield of each tissue in the knee, or feeling the structure of a person’s ethereal muscles and the ethereal software or spirits they’re connected to.

But it didn’t start out like that. In my teens, I would look at a person and connect to them. It wasn’t really a technique, just something that came naturally, as it does for many people. And I’d connect to people, trees, spirits, feel their energy, wonder about what was happening.

The first sensory connection was simply quieting my energy. That’s the term I used then, “quieting,” meaning to hold my own energy steady in my body, and to not push energy out the connection, so any change, any movement, any energy on the connection came from whatever I was connected to, not me. I think I spent several years just playing with quieting my own energy, quieting my connections, and learning to listen to the energy.

Golden Gate BridgeAt the time I didn’t know much about shielding, and spirits would sometimes drain my energy. I’d feel their connection, feel my own energy getting wonky, and I wanted to follow the connection back to the spirit to chase it off. So I developed a technique: Starting from where I felt the spirit’s connection, I’d make a bunch of connections all around it and feel for which one of them was touching the spirit’s connection (which had a distinct signature). I’d keep that one, drop the others, and repeat, building up a set of my own connections all along the spirit’s connection, spaced close together, like the supports of a suspension bridge. When I got to the spirit, I’d send it an intense energy in an odd signature, unpleasant enough to get it to stop bothering me.

I called that technique “tracing” a connection, and it may have been my first technique ever. And just like today, I practiced each step until it became automatic, first learning to find which of my connections had hit the spirit’s connection, then making another set of connections and repeating. Today that entire process is unconscious, and I’d forgotten how difficult it was at first, but looking back as I write this post, it was just as hard as anything I’m learning today. I’ve been feeling a bit overwhelmed lately, and recalling this feels satisfying, like the techniques I find hard now will one day come just as easily.

I don’t recall when I changed from tracing a connection (a 1-D line) to viewing a whole 3D region. I know I had that by the time I focused on energy healing in my late 20s, and recall how hard it was to view a 3D region in someone else — I’d mostly worked on myself, my own ethereal muscles and mind and other structures, and had to adjust everything to the other person’s signature to view them properly. It took about a year to get comfortable with that.

Along the way I also learned to connect to the body, mind, and ethereal structures (each uses a different type of connection, with a different underlying signature), and learned to follow connections that started as one type then shifted to another. And in my 30s, my focus was on using smaller and smaller connections (the smaller my sensory connection, the more precisely I can view whatever I’m looking at) and on precisely matching the signature of whatever I was looking at (“signature alignment”).

For the readers already exploring Direct Magick: Hopefully this gives you some ideas and guidance around how to sense all of the ethereal structures we work with. Comment or email and let me know which step you’re on, and I’ll see about posting more details.

And for everyone else: I hope you enjoyed this quick tour through one of the foundational techniques of Direct Magick, and that it showed you one way that Direct Magick is different from other systems, and that maybe you got some ideas to try in your own work.

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